80 15 1639 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Castillo, Fernando Date A point or period of time associated with an event in the lifecycle of the resource 2012-06-27 Description An account of the resource This article is framed within the premises of oral history. Following the methodological problems and guidelines established by this perspective, it proposes an approach to the narratives of railway workers concerning the various historical processes linked to their company and to their participation in it. The objective is to determine the characteristics of the particular ways in which these workers remember and narrate their experience within the specific context of the province of Jujuy, with special emphasis on the weight of Peronism in their memories. Their memories are examined in relation to the nationalization of the railways and the establishment of strategies strongly oriented toward workers’ welfare; the transformation of the relationship between the State, the labor force, and capital during the subsequent military dictatorships; and the privatization of railway services. These policies left a strong imprint on railway workers as a whole. The experiences of prosperity during the years of first Peronism, the military governments that followed, and the removal of the railways from state control remained “engraved” in their memory in particular ways, on the basis of their specific historical experience as railway workers. Este artículo se inscribe en el marco de las premisas de la historia oral. Siguiendo los problemas y pautas metodológicas establecidas por tal perspectiva, se propone un abordaje a las narraciones de ferroviarios acerca de los diversos procesos históricos vinculados a su empresa y a su participación en la misma. El objetivo supone determinar las características de las formas particulares de recordar y narrar la experiencia por parte de tales trabajadores en el marco específico de la provincia de Jujuy, con fundamental énfasis en la gravitación del peronismo en sus memorias. Los recuerdos son indagados en función de su relación con la nacionalización de los ferrocarriles y el establecimiento de estrategias con fuerte orientación al bienestar de los trabajadores, la transformación de la relación entre Estado, fuerza de trabajo y capital durante las subsiguientes dictaduras militares y la privatización de los servicios ferroviarios. Tales políticas dejaron una fuerte impronta en el conjunto de los ferroviarios; las experiencias de la bonanza de los años del primer peronismo, los gobiernos militares que le siguieron y la desestatificación quedaron “grabadas” en su memoria de maneras particulares, a partir de su experiencia histórica específica como trabajadores del ferrocarril. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/28 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/28/62 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/28/63 Rights Information about rights held in and over the resource Derechos de autor 2012 Fernando Castillo http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 41 (2012): Cuadernos FHyCS-UNJu; 73-87 Cuadernos FHyCS-UNJu; Núm. 41 (2012): Cuadernos FHyCS-UNJu; 73-87 1668-8104 0327-1471 Subject The topic of the resource experience railway workers Jujuy memory peronism experiencia ferroviarios Jujuy Memoria peronismo Title A name given to the resource Memories and Peronism: Narrating the Historical Experiences of Railway Workers in Jujuy, Argentina Memorias y peronismo: narrar las experiencias históricas de los ferroviarios, Jujuy, Argentina Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Pereyra, Elsa Esther Date A point or period of time associated with an event in the lifecycle of the resource 2012-06-27 Description An account of the resource This paper analyzes the new role of women in the world of work in Palpalá, Jujuy, after the privatization, in 1992, of the military manufacturing establishment Altos Hornos Zapla. From the definition of a new socio-labor framework, new conditions of existence were created in the city. This paper defines a new social profile of women-led economic entrepreneurship in a context of crisis. From an interpretive approach, the behavior of a group of economic actors is described within a situational framework. The study combines case analysis from an ethnographic point of view with a sociologically oriented perspective. An analytical framework is designed on the basis of the data collected through the presentation of 12 cases. Among the main conclusions, the study highlights the importance of the sociocultural environment in the formation of entrepreneurial attitudes, which appear in all cases from childhood. Professional academic training does not necessarily imply the possession of entrepreneurial capacities; indeed, it may even become an obstacle. Practical experience and personal attitudes—such as the ability to adapt to change, persistence, and the capacity to read the context—are more important for developing these capacities. Training in microenterprise management and credit support promoted by the municipality have generated concrete impacts on the development of business units. The study also highlights the absence of changes in mentalities and discourses concerning responsibilities shared by both sexes and women’s rights in relation to free time. El trabajo analiza el nuevo rol de la mujer en el mundo del trabajo de Palpalá, Jujuy, después del proceso de privatización del establecimiento de fabricaciones militares Altos Hornos Zapla, en 1992. A partir de la definición de un nuevo esquema socio-laboral se crean en la ciudad nuevas condiciones de existencia. Este trabajo define un nuevo perfil social del emprendimiento económico liderado por las mujeres en un contexto de crisis. A partir de un enfoque interpretativo, se describe el comportamiento de un grupo de actores económicos en un marco situacional. El estudio combina el análisis de casos desde un punto de vista etnográfico con otro de orientación sociológica. Se diseña un marco de análisis que surge de los datos recogidos a partir de la exposición de 12 casos. Entre las principales conclusiones se destacan la importancia del entorno sociocultural en la conformación de actitudes emprendedoras, dichas actitudes aparecen en todos los casos desde la infancia; la preparación académica profesional no implica contar con capacidades emprendedoras, incluso puede ser un obstáculo; para desarrollarlas es más importante la experiencia práctica y las actitudes personales (posibilidad de adaptarse a los cambios, persistencia, lectura del contexto, etc.); la capacitación en gestión de microempresas y el apoyo crediticio impulsados por el municipio han generado impactos concretos en el desarrollo de las unidades empresariales; y la ausencia de cambios en las mentalidades y en los discursos sobre las responsabilidades compartidas por ambos sexos y sobre los derechos de las mujeres en relación al tiempo libre. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/27 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/27/60 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/27/61 Rights Information about rights held in and over the resource Derechos de autor 2012 Elsa Esther Pereyra http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 41 (2012): Cuadernos FHyCS-UNJu; 51-71 Cuadernos FHyCS-UNJu; Núm. 41 (2012): Cuadernos FHyCS-UNJu; 51-71 1668-8104 0327-1471 Subject The topic of the resource gender microenterprises privatizations in Argentina Zapla género microempresas privatizaciones argentinas Zapla Title A name given to the resource Generating and Developing Microenterprises: The Case of Women in Palpalá Generar y desarrollar microemprendimientos: el caso de las mujeres de Palpalá Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Boto, María Salomé Date A point or period of time associated with an event in the lifecycle of the resource 2012-06-27 Description An account of the resource Within the history of the Argentine steel industry, this paper deals with the performance of the National Steel Plan (PSN) from its creation in 1947 to 1976. We are interested in understanding the historical context in which the national steel industry developed, in order to comprehend the strategic value assigned to Altos Hornos Zapla, the first integrated steelmaking unit, established in Palpalá, province of Jujuy, in 1944. Nuestro trabajo se ocupa, dentro de la historia de la industria siderúrgica argentina, del desempeño del Plan Siderúrgico Nacional (PSN) desde su creación en 1947 hasta 1976. Nos interesa conocer el contexto histórico en el que se desarrolló la siderurgia nacional para comprender el valor estratégico que se le asignó a Altos Hornos Zapla, primera unidad siderúrgica integrada radicada en Palpalá, provincia de Jujuy en 1944. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/26 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/26/58 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/26/59 Rights Information about rights held in and over the resource Derechos de autor 2012 María Salomé Boto http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 41 (2012): Cuadernos FHyCS-UNJu; 35-49 Cuadernos FHyCS-UNJu; Núm. 41 (2012): Cuadernos FHyCS-UNJu; 35-49 1668-8104 0327-1471 Subject The topic of the resource Altos Hornos Zapla National Steel Industry Plan Importation Sustitution Industrialization Altos Hornos Zapla Plan Siderúrgico nacional Industrialización por Sustitución de Importaciones Title A name given to the resource Altos Hornos Zapla and the National Steel Plan (PSN) in the Context of Import Substitution Industrialization (ISI), 1947–1976 Altos Hornos Zapla y el Plan Siderúrgico Nacional (PSN) en el contexto de la Industrialización por Sustitución de Importaciones (ISI): 1947-1976 Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Bergesio, Liliana Castillo, Fernando Date A point or period of time associated with an event in the lifecycle of the resource 2012-06-27 Description An account of the resource This paper is situated within the general framework of research linked to business and industrial history, and also within the context of the research project “Railway Dismantling and Steel-Industry Privatization: Socioeconomic Consequences, Social Representations, and Political Identities. The Cases of the General Belgrano Railway and Altos Hornos Zapla in the 1990s in Jujuy, Argentina”. Following the aforementioned lines of research, this article seeks to determine, on the basis of official sources—such as minutes of the DGFM board of directors and technical reports produced by the company—magazines published by social and cultural associations, and various issues of the commercial press, the main characteristics of the historical development of AHZ. It focuses attention on its qualitative and quantitative productive capacities and on the impact that its privatization generated on local employment. The results obtained are linked to two specific periods in the development of AHZ. The first stage, from its beginnings until the 1980s, involved the consolidation of an integrated steel-production model and, at the same time, the implementation of a productive model based on an expansionary and integration-oriented policy. During a second stage, beginning in the mid-1980s, the expansionary trend receded and, subsequently, in the 1990s, AHZ was privatized. The removal of AHZ from state control modified both its productive system and its impact on local employment and on the provincial economy. El presente trabajo se inscribe en el marco general de investigaciones vinculadas a la historia de las empresas y la industria, y asimismo, en el contexto del proyecto de investigación “Desmantelamiento ferroviario y privatización siderúrgica: consecuencias socioeconómicas, representaciones sociales e identidades políticas. Los casos del Ferrocarril General Belgrano y de Altos Hornos Zapla en la década de 1990 en Jujuy (Argentina)”. Este artículo, siguiendo las líneas de investigación mencionadas, procura determinar –en base a fuentes oficiales (como actas del directorio de la DGFM e informes técnicos de la empresa), revistas editadas por asociaciones sociales y culturales y diversos ejemplares de la prensa comercial– las principales características del desarrollo histórico de AHZ, focalizando la atención en las competencias productivas cualitativas y cuantitativas del mismo y en el impacto que su privatización generó en el empleo local. Los resultados obtenidos se vinculan a dos períodos específicos del desarrollo de AHZ: la primera etapa –desde sus albores hasta la década de 1980– conllevó la concreción de un modelo de producción siderúrgica integrada y asimismo la realización de un modelo productivo basado en una política expansiva e integracional. Durante un segundo momento, desde mediados de los años 80, la tendencia expansiva se retrotrajo y, posteriormente, en la década de 1990, se privatizó. La desestatificación de AHZ modificó tanto su sistema productivo como su impacto en el empleo local y en la economía provincial. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/25 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/25/55 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/25/56 Rights Information about rights held in and over the resource Derechos de autor 2012 Liliana Bergesio, Fernando Castillo http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 41 (2012): Cuadernos FHyCS-UNJu; 11-33 Cuadernos FHyCS-UNJu; Núm. 41 (2012): Cuadernos FHyCS-UNJu; 11-33 1668-8104 0327-1471 Subject The topic of the resource Altos Hornos Zapla State Jujuy privatizations siderurgy Altos Hornos Zapla Estado Jujuy privatizaciones siderurgia Title A name given to the resource Production Models at Altos Hornos Zapla: From State Expansion to Private-Sector Retrenchment Modelos productivos en Altos Hornos Zapla: de la expansión estatal a la retracción privada Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource García, Carla Laurencena, Víctor Poccioni, María Teresa Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-30 Description An account of the resource In this paper, we propose to establish exploratory lines for inquiring into the way in which “new information and communication technologies” (ICTs), specifically those related to the use of the Internet, influence the installation of new “ritualized” practices surrounding the event of death. The starting point is the observation of the emergence of “profiles” on social networks, particularly Facebook, used to express grief over the death of a person or different expressions of affection and wishes for recovery in the face of an imminent tragic outcome, such as terminal illness or coma. These expressions are made by friends, relatives, or even strangers who feel the need to express their feelings in response to such events. Much of the current reflection on funerary rituals has led to the idea of the gradual loss of certain practices, such as attending wakes or burials and visiting cemeteries. This would be related to the place that the event of death currently occupies in our society, where it has become increasingly invisibilized through the loss of certain rituals, unlike other periods in which “mourning” was seen as essential for the elaboration of grief. However, the appearance of the memorial profiles to which we have referred would seem to contradict this idea, at least in some sectors of society. Some of the questions that guide us are: Do these profiles constitute a new way of remembering the dead? What do they preserve from previous modalities, and in what ways do they change? Do they seek the individual expression of grief, or do they aim to make suffering visible and share it with others? The methodological proposal consists in analyzing the meaning of the farewell ritual to the dead on Facebook, applying semiotic methodology to a set of “texts” such as Facebook memorial profiles and interviews with users, as well as obituaries in print media. The aim is to establish the different enunciative modalities present in each case and the ways in which they account for social perceptions and modes of saying farewell to the dead. En este trabajo nos proponemos establecer las líneas exploratorias para indagar en torno al modo en que las «nuevas tecnologías de información y comunicación» (TIC), específicamente las relacionadas al uso de Internet, inciden en la instalación de nuevas prácticas «ritualizadas» en torno al acontecimiento de la muerte. Se parte de la observación del surgimiento de «perfiles» en las redes sociales, particularmente Facebook, para manifestar el dolor ante la muerte de una persona o distintas expresiones de afecto y deseos de mejoría ante la inminencia de un desenlace trágico (enfermedades terminales, estados de coma), por parte de amigos, familiares o incluso desconocidos que sienten la necesidad de manifestar sus sentimientos frente a esos hechos. Gran parte de la reflexión actual en torno a los rituales funerarios ha llevado a plantear la gradual pérdida de ciertas prácticas como la asistencia a velorios o entierros, la visita a cementerios. Esto tendría relación con el lugar que ocupa el acontecimiento de la muerte actualmente en nuestra sociedad, cada vez más invisibilizado por la pérdida de ciertos rituales, a diferencia de otros momentos donde el «duelo» era visto como imprescindible para la elaboración del dolor. Sin embargo, la aparición de estos perfiles conmemorativos a los que nos hemos referido, parecería contradecir esta idea, al menos en algunos sectores de la sociedad. Algunas de las preguntas que nos guían son: ¿Constituyen un nuevo modo de recordar a los muertos? ¿Qué conservan de modalidades anteriores y en qué cambian? ¿Busca la manifestación individual del dolor o se trata de hacer visible el sufrimiento y compartirlo con otras personas? La propuesta metodológica consiste en analizar la significación del ritual de despedida a los muertos en Facebook, aplicando la metodología semiótica a un conjunto de «textos» tales como perfiles conmemorativos de Facebook y entrevistas a usuarios, así como a avisos necrológicos en medios gráficos, para establecer las distintas modalidades enunciativas presentes en uno y otro y el modo en que dan cuenta de la percepción social y el modo de despedir a los muertos. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/24 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/24/47 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/24/54 Rights Information about rights held in and over the resource Derechos de autor 2011 Carla García, Víctor Laurencena, María Teresa Poccioni http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 40 (2011): Cuadernos FHyCS-UNJu; 119-132 Cuadernos FHyCS-UNJu; Núm. 40 (2011): Cuadernos FHyCS-UNJu; 119-132 1668-8104 0327-1471 Subject The topic of the resource new technologies resignification funerary rituals semiotics nuevas tecnologías resignificación rituales funerarios semiótica Title A name given to the resource New Technologies, New Rituals: Virtual Cemeteries Nuevas tecnologías, nuevos rituales: cementerios virtuales Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Sempé, María Carlota Gómez Llanes, Emiliano Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-30 Description An account of the resource The different social sectors that make up a community have received architectural styles in different ways, according to their economic capacities and their knowledge of those styles. Here, we apply the theory of aesthetic reception developed by Jauss and Gadamer, and propose that an architectural style was read in a particular way by the designer, the builder, and the person who commissioned the work. Following Bourdieu: “... The differences associated with different positions, that is, goods, practices, and above all manners, function in each society in the manner of the constitutive differences of symbolic systems.” In this paper, we analyze examples of funerary structures from the foundational sector of La Plata cemetery, belonging to the Neo-Gothic architectural style. We conclude that the possession of a mortuary vault in an urban cemetery, its size, and the “manner” of using the architectural style functioned as differentiating properties within the social field. Los distintos sectores sociales que integran una comunidad han hecho una diferente recepción de los estilos arquitectónicos de acuerdo a sus capacidades económicas y conocimiento de esos estilos. Aplicamos la teoría de la recepción estética desarrollada por Jauss y Gadamer y proponemos que un estilo arquitectónico fue leído de una manera particular tanto por su proyectista como su constructor y por el solicitante de la obra. Siguiendo a Bourdieu: «... Las diferencias asociadas a las diferentes posiciones, es decir, los bienes, las prácticas y sobre todo las maneras, funcionan, en cada sociedad, al modo de las diferencias constitutivas de los sistemas simbólicos.» Aquí analizamos ejemplos de estructuras funerarias provenientes del sector fundacional del cementerio de La Plata, pertenecientes al estilo arquitectónico neogótico. Concluimos que la posesión de una bóveda mortuoria en un cementerio urbano, su tamaño y «manera» de usar el estilo arquitectónico funcionaron como propiedades diferenciadoras dentro del campo social. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/23 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/23/46 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/23/53 Rights Information about rights held in and over the resource Derechos de autor 2011 María Carlota Sempé, Emiliano Gómez Llanes http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 40 (2011): Cuadernos FHyCS-UNJu; 101-117 Cuadernos FHyCS-UNJu; Núm. 40 (2011): Cuadernos FHyCS-UNJu; 101-117 1668-8104 0327-1471 Subject The topic of the resource architecture funerary sphere reception arquitectura ámbito funerario recepción Title A name given to the resource Funerary Architecture and Social Sectors Arquitectura funeraria y sectores sociales Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource González Pérez, Carlos Federico Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-30 Description An account of the resource This paper studies changes in Catholic funerary ceremonies and rituals by analyzing how they are performed and what transformations they present in current practice in relation to the recent past. The concept of change, from a semiotic perspective, is key to understanding these transformations, as is the concept of death—as an event—and its relationship with religion. Active priests associated with the Roman Catholic Church in the cities of San Salvador de Jujuy and La Plata were interviewed in order to inquire into the possible changes that the Catholic Church perceives in funerary rituals and some of the causes it identifies. The interviews were recorded and later analyzed from the perspective of symbolic semiotics, making it possible to approach the Possible Semiotic Worlds of death and its transformations. The research is guided by the following hypothesis: the modification of Catholic funerary rituals brings into play the sense of belonging and the strict meaning that Catholicism gives to death as a rite of passage, which religion perceives as a weakening of its structure, a weakening of faith, or a threat. This work has made it possible to characterize the Catholic funerary ritual as a complex ritual, with different stages formally established by the rite of funerals: those linked to the farewell to the deceased and later stages, such as memorial masses. The changes identified, mainly in relation to the funerary ritual in its complexity, have to do with the suppression of some of these stages or stations prescribed by the Catholic religion: some have disappeared and others have been modified. Although various factors are identified as giving rise to these changes, the common factor, according to the interviews, is cultural, linked to traditions different from the Catholic one and referring to particular geographic locations. It is in these situations that the Catholic Church develops a hybridization of funerary rituals, based on what this paper defines as adaptation, integration, and validation, mainly in Northwestern Argentina. The paper also addresses the issue of cremation, an aspect that appears as a major change that the Catholic Church has accepted in recent times, under certain conditions. En este trabajo se estudian los cambios en las ceremonias y rituales funerarios católicos a partir de analizar cómo se realizan y qué transformaciones están presentando en su práctica actual, en relación con un pasado reciente. El concepto de cambio, desde la semiótica, es clave en el entendimiento de estas transformaciones, como también el de muerte (en tanto acontecimiento) y su relación con la religión. Se ha entrevistado a sacerdotes en actividad relacionados con la Iglesia Católica Apostólica Romana de las ciudades de San Salvador de Jujuy y La Plata, para indagar en los posibles cambios que la Iglesia Católica percibe en los rituales funerarios y algunas de las causas que ésta establece. Las entrevistas fueron grabadas y luego analizadas a partir de la semiótica simbólica, logrando una aproximación a los mundos semióticos posibles de la muerte y sus transformaciones. La investigación está orientada por la siguiente hipótesis: la modificación en los rituales funerarios católicos pone en juego la pertenencia y el sentido estricto que el catolicismo le brinda a la muerte, en tanto rito de paso, lo que se percibe desde la religión como un debilitamiento de su estructura, un debilitamiento de la fe o una amenaza. Este trabajo ha permitido caracterizar al ritual funerario católico como un ritual complejo, con diferentes etapas establecidas de manera formal por el ritual de las exequias (las vinculadas con la despedida del difunto y las posteriores, como las misas conmemorativas). Los cambios identificados, principalmente y en relación al ritual funerario en su complejidad, tienen que ver con la supresión de algunas de estas etapas o estaciones previstas por la religión católica: unas han desaparecido y otras se han modificado. A pesar de que se identifican diversos factores como los que originan estos cambios, el factor común (de acuerdo a las entrevistas) es el cultural, vinculado a las tradiciones diferentes a la católica, y que remiten a lugares geográficos particulares. Es en esas situaciones en donde la Iglesia Católica desarrolla una hibridación de rituales funerarios, a partir de lo que en este trabajo se define como: adaptación, integración y validación (principalmente en el NOA). Se aborda, además, el tema de la cremación, aspecto que aparece como un gran cambio que la Iglesia católica ha aceptado en los últimos tiempos (con sus condiciones). Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/22 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/22/45 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/22/51 Rights Information about rights held in and over the resource Derechos de autor 2011 Carlos Federico González Pérez http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 40 (2011): Cuadernos FHyCS-UNJu; 79-99 Cuadernos FHyCS-UNJu; Núm. 40 (2011): Cuadernos FHyCS-UNJu; 79-99 1668-8104 0327-1471 Subject The topic of the resource Catholicism religion funerary ritual semiotics transformations Catolicismo religión ritual funerario semiótica transformaciones Title A name given to the resource Recent Transformations in Catholic Funeral Rituals in San Salvador de Jujuy and La Plata, Argentina Transformaciones recientes en los rituales funerarios católicos en San Salvador de Jujuy y La Plata (Argentina) Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Baldini, Marta Inés Sempé, María Carlota Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-30 Description An account of the resource The image has functioned as a transmitter of ideas in societies without writing systems, and may be understood as a text whose reception process varies according to different communities. The arrival of Aguada religious ideology in the Hualfín Valley exemplifies these forms of reception. The objective was to determine the role played by the pre-existing local community that received the new icons and contributed others, which were resignified by the new ideology. The icons present in the funerary units of the Middle Period in the Hualfín Valley, ca. AD 500–950, were analyzed, together with their variants, their distribution in burial contexts, and the changes produced from the end of the preceding Ciénaga culture onward. The empirical basis led us to use the case study as a research methodology, as part of a microsocial approach. The funerary ceramic assemblage was taken as a key indicator. In its iconographic analysis, Gombrich’s approach (1983) was followed, while for its social implications, Bourdieu’s approach (1997) was used. The analysis of funerary symbolic production made evident that a set of icons, originating in the system of thought and worldview sustained during the Early Period, was resignified in the following period. La imagen ha funcionado como un transmisor de ideas en los pueblos sin escritura, y puede ser tomada como un texto que tiene un proceso de recepción de acuerdo a distintas comunidades. La llegada al valle del Hualfín de la ideología religiosa Aguada ejemplifica estas recepciones. El objetivo fue determinar el rol jugado por la comunidad local previa que recepcionó los nuevos iconos y aportó con otros que fueron resignificados por la nueva ideología. Se analizaron los iconos presentes en las unidades funerarias del periodo Medio del Valle del Hualfín (ca. 500-950 d.C.), sus variantes, su distribución en los enterratorios y los cambios producidos a partir de finales de la cultura Ciénaga previa. La base empírica llevó a usar como metodología de investigación el «estudio de casos» como parte del enfoque microsocial. El ajuar cerámico funerario fue tomado como indicador fundamental. En su análisis iconográfico se siguió el enfoque de Gombrich (1983) y en sus implicancias sociales, el de Bourdieu (1997). El análisis de la producción simbólica funeraria puso en evidencia que un conjunto de iconos, originados en el sistema de pensamiento y visión del mundo sustentado durante el Período Temprano, se resignificaron en el período siguiente. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/21 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/21/43 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/21/50 Rights Information about rights held in and over the resource Derechos de autor 2011 Marta Inés Baldini, María Carlota Sempé http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 40 (2011): Cuadernos FHyCS-UNJu; 61-78 Cuadernos FHyCS-UNJu; Núm. 40 (2011): Cuadernos FHyCS-UNJu; 61-78 1668-8104 0327-1471 Subject The topic of the resource icons changes resignifications íconos cambios resignificaciones Title A name given to the resource Mortuary Ritual Icons as Indicators of Change and Re-Signification Iconos del ritual mortuorio como indicadores de cambios y resignificaciones Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Sempé, María Carlota Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-30 Description An account of the resource This issue of Cuadernos FHyCS-UNJu brings together different approaches to death and funerary expressions, constituting a specialized space for dialogue among social science researchers. The contributions address death as a social field with its own logic, materially expressed through monuments, rituals, objects, iconography, and literary production. Part of the issue focuses on the pre-Hispanic world, where funerary practices and the consumption of goods make it possible to identify social differences as well as transformations in worldviews and iconographic systems. Other studies examine the changes resulting from the encounter between Indigenous and Catholic religious conceptions, together with contemporary transformations in funerary rituals. The issue also considers urban cemeteries that emerged with the institutionalization of the Argentine State and the social and ideological distinctions expressed in their funerary monuments. Finally, it addresses new ways of dealing with death associated with communication technologies and the Internet, which have given rise to virtual funerary spaces and new practices aimed at preserving memory as a social phenomenon. Este número de la revista Cuadernos FHyCS-UNJu reúne distintos enfoques sobre la problemática de la muerte y las expresiones funerarias, configurándose como un espacio de diálogo especializado entre investigadores de las ciencias sociales. Los trabajos incluidos permiten abordar la muerte como un campo social con una lógica propia, expresada materialmente en monumentos, rituales, objetos, iconografías y producciones literarias. Una parte del número se ocupa del mundo prehispánico, donde las prácticas funerarias y el consumo de bienes permiten reconocer diferencias sociales y transformaciones en las cosmovisiones e iconografías. Otros estudios consideran los cambios producidos por el encuentro entre concepciones religiosas originarias y católicas, así como las transformaciones contemporáneas de los rituales funerarios. El número también examina los cementerios urbanos surgidos con la institucionalización del Estado argentino y las distinciones sociales e ideológicas expresadas en sus monumentos. Finalmente, se incorporan nuevas formas de tratamiento de la muerte vinculadas con las tecnologías de comunicación e Internet, que configuran espacios funerarios virtuales y nuevas prácticas destinadas a preservar la memoria como hecho social. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/20 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/20/41 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/20/42 Rights Information about rights held in and over the resource Derechos de autor 2011 María Carlota SEMPÉ http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 40 (2011): Cuadernos FHyCS-UNJu; 11-12 Cuadernos FHyCS-UNJu; Núm. 40 (2011): Cuadernos FHyCS-UNJu; 11-12 1668-8104 0327-1471 Subject The topic of the resource muerte rituales funerarios prácticas funerarias cosmovisión memoria social sociedad death funerary rituals mortuary practices worldview social memory society Title A name given to the resource Death and Society Muerte y sociedad Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Baldini, Marta Inés Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-30 Description An account of the resource The Aguada culture of northwestern Argentina (Middle Period, AD 600–950), contemporaneous with the Middle Horizon of the Central Andean Area, forms part of the cultural process that spread the religious ideology of the Tiwanaku interaction sphere across much of the Andean area. The consolidation of the beliefs, values, and behaviors that sustained it was expressed in the symbolic character of the iconographic repertoire incorporated into various objects and community spaces, such as funerary contexts and rock art. The study of Middle Period burials in the Aguada Orilla Norte cemetery, in the Hualfín Valley, Catamarca, revealed recurrences that made it possible to affirm that the preparation of the burials responded to a deep, socially established symbolic content. Some of the recorded modalities must have corresponded to situations of social inequality, while others were related to the roles performed by individuals during life. The human figures represented in Aguada iconography have been differentiated as deities or as figures with special functions in the cult, such as the sacrificer. A group of seven burials from this cemetery was interpreted as belonging to individuals who fulfilled this ceremonial role; in these burials, the individuals were interred with metal axes incorporated into the mortuary assemblage. This paper analyzes the mortuary practices intended for the sacrificers, as well as the uses and restrictions of the icons incorporated into their funerary contexts in relation to the total repertoire used by the community buried in the cemetery. It highlights the symbolic value of the differential use of metal axes by one segment of the population. La cultura de La Aguada (Período Medio, 600-950 d. C.) del noroeste argentino, contemporánea al Horizonte Medio del Área Andina Central, está comprendida en el proceso cultural que propagó la ideología religiosa del ámbito de interacción tiwanakota en gran parte del área andina. La consolidación de las creencias, valores y conductas que la sustentan quedaron expresados en el carácter simbólico del repertorio iconográfico incorporado en objetos diversos y espacios comunitarios, como la funebria o el arte rupestre. El estudio de las inhumaciones del Período Medio del cementerio Aguada Orilla Norte (Valle de Hualfín, Catamarca) evidenció recurrencias que permitieron afirmar que la preparación de los entierros respondió a un profundo contenido simbólico, establecido socialmente, y que algunas modalidades registradas debieron responder a situaciones de desigualdad social y otras al rol desempeñado en vida por los individuos. Las figuras humanas representadas en la iconografía Aguada fueron diferenciadas como deidades o personajes con funciones especiales en el culto, como el sacrificador. Un grupo de siete inhumaciones de este cementerio fue interpretado como perteneciente a individuos que cumplieron ese rol ceremonial, en ellas, los individuos fueron enterrados con hachas de metal incorporadas al ajuar mortuorio. Se analizan las prácticas mortuorias destinadas a los sacrificadores, así como los usos y restricciones de iconos incorporados a sus contextos fúnebres respecto del total utilizado por la comunidad enterrada en el cementerio. Se destaca el valor simbólico del uso diferencial de las hachas metálicas por parte de un segmento de la población. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/18 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/18/38 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/18/49 Rights Information about rights held in and over the resource Derechos de autor 2011 Marta Inés Baldini http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 40 (2011): Cuadernos FHyCS-UNJu; 43-60 Cuadernos FHyCS-UNJu; Núm. 40 (2011): Cuadernos FHyCS-UNJu; 43-60 1668-8104 0327-1471 Subject The topic of the resource Aguada mortuary practices sacrificers Middle Period Hualfín Valley Aguada funebria sacrificadores Período Medio Valle de Hualfín Title A name given to the resource Significant Burials at the Aguada Orilla Norte Cemetery (Middle Period, Northwestern Argentina) Entierros significativos del cementerio Aguada Orilla Norte (Período Medio, Noroeste Argentino) Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Baldini, Lidia Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-30 Description An account of the resource This paper analyzes burials from El Churcal, Department of Molinos, Salta, one of the most relevant Late Period sites in the central sector of the Calchaquí Valley. From the perspective that social practices related to death constitute events of social integration that are materially expressed in the qualities of tombs, grave goods, and the treatment of the body, this paper presents a first study of burial variability. The type of tomb and its spatial distribution show homogeneity. The contents, however, present quantitative and qualitative differences in the social cost invested and point to the possible existence of special rituals. Se analizan entierros de El Churcal (Dpto. Molinos, Salta), uno de los sitios tardíos de mayor relevancia del sector central del valle Calchaquí. Desde la perspectiva de que las prácticas sociales frente a la muerte constituyen eventos de integración social que se expresan materialmente en las cualidades de las tumbas, los ajuares y el tratamiento del cuerpo, se presenta un primer estudio de la variabilidad de los entierros. El tipo de tumba y su distribución espacial manifiestan homogeneidad. Los contenidos presentan diferencias cuantitativas y cualitativas en el costo social invertido y señalan la posible existencia de rituales especiales. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/17 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/17/37 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/17/48 Rights Information about rights held in and over the resource Derechos de autor 2011 Lidia Baldini http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 40 (2011): Cuadernos FHyCS-UNJu; 25-42 Cuadernos FHyCS-UNJu; Núm. 40 (2011): Cuadernos FHyCS-UNJu; 25-42 1668-8104 0327-1471 Subject The topic of the resource El Churcal regional developments period mortuary practices El Churcal período de desarrollos regionales prácticas funerarias Title A name given to the resource Social Consumption in the Burials at El Churcal, Molinos, Salta El consumo social en los entierros de El Churcal, Molinos, Salta Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Guzmán, Raquel Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-30 Description An account of the resource From classical tragedy, which brings Antigone’s word as she seeks to bury Polynices, or Odysseus’s descent into Hades, to the medieval dances of death, with terrifying figures that show death’s harassment of human beings; from the journey proposed by Dante in the Divine Comedy to the metaphor of life as a river that resonates in Manrique’s Coplas; from representations of the transience of time in Renaissance and Baroque poetry to “the tomb that awaits with its funereal branches” in Darío’s poem; from absences and fragmentations, ellipses and ruptures of form, the abyss that follows the verse, or the blank space of the page that encloses the poem, death has always been alive in literary discourse. The purpose of this paper is to delve into Marcelo Ahumada’s poem “Madrenaturaleza” (Catamarca, 1971), exploring its images of the end, associated with sleep, drugs, heartbreak, and meaninglessness, and connected with ancestral representations that are both recovered and lost in the present of a bewildered speaker. Within the framework of the research project “Critical Analysis of the Notion of ‘End of the Millennium’ Implied in the Discourses of Art”, the aim of this paper is to correlate the notion of the end of history and of art with reflections on poetic discourse as a border, as well as with a revision of the concept of representation, in order to analyze how poetry aligns itself with death while at the same time freeing itself from it. Desde la tragedia clásica que trae la palabra de Antígona para dar sepultura a Polinices o el descenso de Odiseo al Hades, a las danzas de la muerte medievales con figuras aterradoras que muestran el acoso sobre los hombres; desde el tránsito que propone Dante en la Divina Comedia a la metáfora de la vida como río que resuena en las Coplas de Manrique; desde las representaciones de la fugacidad del tiempo en la poesía renacentista y barroca a «la tumba que aguarda con sus fúnebres ramos» del poema de Darío; desde las ausencias y fragmentaciones, las elipsis y rupturas de la forma, el precipicio que sucede al verso o el blanco de la página que encierra al poema, la muerte estuvo siempre viva en el discurso literario. La propuesta de este trabajo es bucear en el poema «Madrenaturaleza» de Marcelo Ahumada (Catamarca 1971), las imágenes del final, asociadas al sueño, a las drogas, al desamor, al sinsentido, conectadas con representaciones ancestrales que se recuperan y se pierden en el presente de un hablante desconcertado. En el marco del proyecto de investigación «Análisis crítico de la noción de ‘fin de milenio’ implicada en los discursos del arte», el objetivo de este trabajo es correlacionar la noción de fin de la historia y del arte con las reflexiones en torno al discurso poético como borde y la revisión del concepto de representación para analizar de qué manera la poesía se enlista a la vez que se libera de la muerte. Format The file format, physical medium, or dimensions of the resource application/pdf text/html Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/16 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/16/36 https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/16/44 Rights Information about rights held in and over the resource Derechos de autor 2011 Raquel Guzmán http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 40 (2011): Cuadernos FHyCS-UNJu; 13-23 Cuadernos FHyCS-UNJu; Núm. 40 (2011): Cuadernos FHyCS-UNJu; 13-23 1668-8104 0327-1471 Subject The topic of the resource poetic discourse literature death representation discurso poético literatura muerte representación Title A name given to the resource The Stealth of Death in Contemporary Literature El sigilo de la muerte en la literatura de este tiempo Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Kulemeyer, Jorge Alberto Date A point or period of time associated with an event in the lifecycle of the resource 2011-06-30 Description An account of the resource The University of the Street (UDELAC) was surely part of the thought of a period and of a large part of Argentine society, synthesized in the expression “m’hijo el dotor” (“my son, the doctor”). This expression guided the ideals of a broad sector of Argentine society during a period that may tentatively be located between the last two decades of the nineteenth century and the first seven decades of the twentieth century, and it was a fundamental ideological ingredient in the generation of a model of the country. In its early stages, this mainly involved, especially in the so-called “Pampa Gringa”, the first or second generation of European immigrants, who saw in the public and free university the instrument through which their children would not have to suffer the poverty they themselves had endured. The most attractive option observable in the social landscape of economically successful people at the time was represented by the “doctors”, especially lawyers and physicians. The possibility emerged that, without the support of a family fortune, one could rise socially and achieve the long-desired economic well-being. This sense, within UDELAC, of the need for social advancement through university studies in the liberal professions persisted—and still persists—longer in rural areas and in the poorest areas of the country, with more asymmetrical social structures, characterized by a greater proportion of population of Creole origin. Little by little, the mechanisms and strategies of the University of the Street, which had originally been defined and understood as an unquestionable counterposition to the formal university institution, began to take over many aspects that belong to the essence of the university system. This text is written by appealing to certain resources of both systems of thought and action, with the purpose of addressing the aim of achieving an adequate integration that remains faithful to the forms of the university in the present. La Universidad de la Calle (UDELAC) seguramente fue parte del pensamiento de una época, de buena parte de la sociedad de nuestro país, sintetizado en la expresión “m´hijo el dotor” que fue rectora en los ideales de una amplia franja social argentina de un período que tentativamente se puede ubicar entre las últimas dos décadas del siglo XIX y las primeras siete décadas del siglo XX y fue un ingrediente ideológico fundamental en la generación de un modelo de país. En los primeros tiempos se trataba mayoritariamente, especialmente en la llamada “pampa gringa”, de la primera o segunda generación de inmigrantes europeos que veían en la universidad, pública y gratuita, el instrumento para que sus hijos no tuvieran que sufrir la pobreza que ellos habían padecido. La opción más atractiva observable en el paisaje social de personas económicamente exitosas de la época estaba dada por los “doctores”, en especial abogados y médicos. Aparecía la posibilidad de que, sin el respaldo de una fortuna familiar, se podía ascender socialmente y lograr el ansiado bienestar económico. Esa sensación de la UDELAC de la necesidad de promoción social a través de estudios de profesiones liberales universitarias persistió (persiste) más tiempo en las zonas rurales y las zonas más pobres y con estructuras sociales más asimétricas del país, caracterizadas por una mayor proporción de población de origen criollo en su integración. Poco a poco, los mecanismos y estrategias de la universidad de la calle, que fueran originalmente definidos y entendidos como una incuestionable contraposición a la institución universitaria formal, se fueron apoderando de muchos aspectos que hacen a la esencia del sistema universitario. Este texto está redactado apelando a algunos recursos de ambos sistemas de pensamiento y acción con el propósito de atender la pretensión de lograr una integración adecuada que resulte fiel a las formas de la universidad en el presente. Format The file format, physical medium, or dimensions of the resource application/pdf Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/13 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/13/35 Rights Information about rights held in and over the resource Derechos de autor 2011 Jorge Alberto Kulemeyer http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 39 (2011): Cuadernos FHyCS-UNJu; 167-178 Cuadernos FHyCS-UNJu; Núm. 39 (2011): Cuadernos FHyCS-UNJu; 167-178 1668-8104 0327-1471 Subject The topic of the resource european immigrants social mobility university education inmigrantes europeos ascenso social educación universitaria Title A name given to the resource “M’hijo el dotor” as Son and Protagonist of the “University of the Street” “M’hijo el dotor” como hijo y protagonista de la Universidad de la Calle Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Taborda, Natalia González Pérez, Carlos Federico Date A point or period of time associated with an event in the lifecycle of the resource 2011-06-30 Description An account of the resource This paper aims to provide an outline of the Possible Semiotic Worlds of the Tupac Amaru Neighborhood Association among external actors. This will make it possible to establish a context of meaning and interpretation of the organization, which may later be contrasted and complemented with the presence of certain forms of the “University of the Street” found in the selected organization, thus advancing in the development of this scenario. Interviews were conducted with people who are not directly part of the organization—external actors—men and women aged 18 and over. The responses were analyzed from the perspective of symbolic semiotics, applying the following semiotic operations: normalization, segmentation, the formation of contextual definitions, the development of axes, and the formation of contrasting networks. It is considered that, through social discourses, a given community represents and interprets the phenomena of its environment. Discourse is understood as any event that constructs that of which it speaks: it is a limited set of statements that depends on the same discursive formation and appears under a set of conditions of existence (Foucault, 1970). The aim of this research is to obtain information about how the organization is perceived by people in general. This first stage is the one presented in this paper. The results obtained will later serve to inquire within the organization into its objectives and into what its members think. The contrast between external and internal Possible Semiotic Worlds will make it possible to obtain relevant data for the research on how Jujuy society interprets the organization under study, and how the organization interprets itself. The research carried out in the organization so far has made it possible to identify internal teaching-learning aspects, such as the existence of a career path within the Construction Cooperatives, where learning takes place mainly through imitation (Conte and Paolucci, 2001), and the transmission of values linked to education, social reintegration, and work. El trabajo pretende realizar un esbozo de los Mundos Semióticos Posibles de la Asociación Barrial Tupac Amaru, en los actores externos, lo que permitirá establecer un contexto de significación e interpretaciones de la organización, para que luego se contraste y complemente con la presencia de algunas formas de la universidad de la calle presentes en la organización elegida, y avanzar en el desarrollo de este escenario. Se realizaron entrevistas a personas que no forman parte directa de la organización (actores externos), varones y mujeres, de 18 años en adelante. Las respuestas fueron analizadas desde la semiótica simbólica, aplicando las operaciones semióticas: la normalización, la segmentación, la formación de definiciones contextuales, el desarrollo de ejes y la conformación de redes contrastantes. Se considera que, a través de los discursos sociales, una determinada comunidad se representa e interpreta los fenómenos de su entorno. Se entiende por discurso todo acontecimiento que construye aquello de lo que habla: es un conjunto (limitado) de enunciados que depende de la misma formación discursiva, que aparecen bajo un conjunto de condiciones de existencia (Foucault, 1970). Lo que se pretende con esta investigación es obtener información acerca de cómo es percibida la organización en la gente a nivel general. Esta primera instancia es la presentada en este trabajo. Los resultados obtenidos servirán para luego indagar dentro de la organización, sobre sus objetivos, sobre lo que piensan sus integrantes. El contraste entre los Mundos Semióticos Posibles externos e internos permitirá obtener datos interesantes a la investigación sobre cómo la sociedad jujeña interpreta a la organización trabajada, y cómo esta se interpreta a sí misma. La investigación desarrollada en la organización hasta ahora, ha permitido identificar aspectos de enseñanza-aprendizaje internos, como la existencia de una carrera en las Cooperativas de Construcción (en donde el aprendizaje se realiza principalmente a través de la imitación - Conte y Paolucci, 2001), y la transmisión de valores vinculados a la educación, la reinserción social y el trabajo. Format The file format, physical medium, or dimensions of the resource application/pdf Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/12 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/12/34 Rights Information about rights held in and over the resource Derechos de autor 2011 Natalia Taborda, Carlos Federico González Pérez http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 39 (2011): Cuadernos FHyCS-UNJu; 155-165 Cuadernos FHyCS-UNJu; Núm. 39 (2011): Cuadernos FHyCS-UNJu; 155-165 1668-8104 0327-1471 Subject The topic of the resource interpretation representation organization external actors/society interpretación representación organización actores externos/sociedad Title A name given to the resource Possible Semiotic Worlds of the External Actors of the Organización Barrial Tupac Amaru Los Mundos Semióticos Posibles de los actores externos de la organización barrial Tupac Amaru Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cuadernos FHyCS-UNJu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Herrero, Patricia Date A point or period of time associated with an event in the lifecycle of the resource 2011-06-30 Description An account of the resource The purpose of this paper is to account for the discourses around which the category of art was constructed, and to characterize, from different approaches, the current state of the question regarding this topic. It also seeks to find clues that may account for certain concepts produced by European cultural imposition, and to objectify the lack of theoretical updating in the field of art. This lack is evident in the absence of critical approaches capable of revising the discriminatory use of hundreds of terms coined by the Enlightenment, which to this day have not been resignified in light of epistemological ruptures produced by different theoretical, anthropological, sociological, linguistic, semiotic, and aesthetic approaches, among others, within a Latin American context. The paper also aims to make evident the absence of artistic education from an early age, which legitimizes these signs of distinction by granting only “some” people access to “read” artistic codes; that is, to decode “Art”. It is the codes of Popular Art that circulate in the street. For this reason, I approach the concept of Folklore as a non-institutional social discourse from a semiotic framework, in order to account for the visibility-invisibility of certain popular artistic practices that are not considered “Art” and that have a particular aesthetic production, neither lesser nor greater than any other. La intención de este trabajo es dar cuenta de: -Los discursos alrededor de los cuales se construyó la categoría arte, y poder caracterizar hoy desde distintos enfoques el estado de cuestión de esta temática, -Encontrar pistas que puedan dar cuenta de ciertos conceptos dados por la imposición cultural europea y objetivar la falta de actualización teórica alrededor del campo del arte de enfoques críticos que actualicen el uso discriminatorio de cientos de términos acuñados por la ilustración y que hasta hoy no han sido resignificados a la luz de rupturas epistemológicas de distintos enfoques teóricos, antropológicos, sociológicos, lingüísticos, semióticos, estéticos, etc., en un contexto Latinoamericano, -Poner en evidencia la ausencia de educación artística desde temprana edad, lo cual legitima estos signos de distinción al tener acceso solo “algunos” a “leer” códigos artísticos, es decir, a decodificar “Arte”. Son los códigos del Arte Popular los que circulan en la calle, para lo cual abordo el concepto de Folklore como discurso social no institucional desde un marco semiótico, para poder dar cuenta de la visibilidad-invisibilidad de ciertas prácticas artísticas populares no consideradas como “Arte” y que tienen una producción estética particular, ni menor ni mayor que otra. Format The file format, physical medium, or dimensions of the resource application/pdf Identifier An unambiguous reference to the resource within a given context https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/11 Language A language of the resource spa Publisher An entity responsible for making the resource available Cuadernos FHyCS-UNJu Cuadernos FHyCS-UNJu Relation A related resource https://revistas.fhycs.unju.edu.ar/revistacuadernos/index.php/cuadernos/article/view/11/33 Rights Information about rights held in and over the resource Derechos de autor 2011 Patricia Herrero http://creativecommons.org/licenses/by-nc-sa/4.0 Source A related resource from which the described resource is derived Cuadernos FHyCS-UNJu; No. 39 (2011): Cuadernos FHyCS-UNJu; 141-154 Cuadernos FHyCS-UNJu; Núm. 39 (2011): Cuadernos FHyCS-UNJu; 141-154 1668-8104 0327-1471 Subject The topic of the resource art minor art crafts popular art art education right to art arte arte menor artesanías arte popular educación artística derecho al arte Title A name given to the resource “Art as a Right”: On the Tensions Between Popular Art and Access to Its Decoding “El arte como derecho”. Sobre las tensiones entre arte popular y el acceso a su decodificación Type The nature or genre of the resource info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion